Somerville, Mass - Sometimes, it's so hot in the pink house that there is nothing you can do but go to the movies. Such was the case last weekend, when we saw Cold Souls, the funny and probing comedy starring Paul Giamatti and Dina Korzun.
Apparently, starring in a Chekhov play can really get a guy down. When Paul Giamatti (who plays himself) is unable to separate the angst of Uncle Vanya from his everyday life, he takes desperate measures. An article in the New Yorker leads him to solicit a service called "Soul Storage" which promises to lighten his load for the duration of the show. His soul is extracted - it looks remarkably like a chickpea, which is a source of endless amusement throughout the film - and stored safe and sound in a little locker.
Unfortunately, it's not exactly a clean break. Without a soul, Giamatti becomes alienated from everything he used to care about. He can't act (the scene with the soul-less Giamatti doing Uncle Vanya is priceless); he can't make love to his wife; he can't do anything except stare at his feet.
Alas, when he returns to the soul storage facility to retrieve his little garbanzo bean, he discovers it has been stolen - absconded by a group of ruthless Russian soul trafickers. Dina Korzun plays an icy Russian blondinka - the mule who moves the priceless goods across borders. But she seems to have a soft spot for Giamatti (we might say that she was "able to get a sense of his soul" when she transported it to Russia). Ultimately, she agrees to take Paul to snowy St Petersburg in pursuit of his soul.
The scenes shot in Russia are magnificent - so beautiful and bleak. Giamatti spends a lot of time walking along the ice-clogged Neva River wearing a furry hat. Especially when it's 90 degrees wherever you are, the film effectively evokes a sense that he is a stranger in a strange land. A few views of the Petersburg skyline hint at the grandeur and grace of this city; but without his soul, Giamatti is really shut out from appreciating it, and so are we.
I loved the scenes shot in the hotel, which bears a striking resemblance to one Hotel Dnepr where I spent many nights in the year 1990, where Giamatti also spends many nights waiting, waiting, waiting. (Note: there are not actually too many hotels left in St Petersburg that look like that.)
Every once in a while, somebody makes a clever film that both makes you laugh and makes you think. Director Sophie Barthes has done it here. So next time you need a cool-down, get yourself to the cinema to watch Cold Souls.



2 - Plagiarism. Many of Fairey's best known works have borrowed images that are in the popular culture. Most famously, the Obama "Hope" poster is based on an AP photograph (the AP has filed a claim against Fairey, which currently being disputed in court).
Nobody can contest the fact that Fairey's artwork borrows from other sources; but that is the whole point. He borrows images, many of which we are bombarded with on a daily basis, and he alters them in a way that forces the viewer to question their meaning. He borrows techniques and styles and uses them to convey unexpected or ironic messages. This juxtaposition between familiar and defiant is exactly what makes his work so powerful.
Anyway, you gotta give the guy credit for generating a buzz. I have never witnessed so much excitement over an art exhibit in Boston. Everybody had an opinion... about art! According to artdaily.org, Supply & Demand has been the ICA's most popular exhibit to date, attracting upwards of 100,000 visitors.
Incidentally, the ICA opened the Supply & Demand exhibit last February with a huge gala attended by some 700 people. Fairey himself was scheduled to DJ the party, except that he never showed up. He was detained on his way to the museum - arrested on two outstanding warrants for defacing public property.
Just like Catherine the Great, I have a special interest in Dutch art, due to a little side project I have brewing. (I'll say no more, but hopefully you'll hear more about this in the future.) The seafaring theme is appropriate not only for my mysterious project, but especially for the PEM, which was founded by the East India Maritime Society, whose member ships were instructed to bring back "natural and artificial curiosities" for the education and enlightenment of the public.
3 - Funky post-industrial yard art. What a delightful surprise. As we stepped off the ferry and started to walk into town, we came across an old stable - its yard crammed with funny and funky creatures. Birds and beasts made out of thingamajigs and dohickeys and other industrial whatnot. "Come inside" invited a hand-written sign, thus opening up a fantastical world of creative whimsy. I took some photos on my phone but I'm embarassed to admit that I don't know how to transfer them to the computer. You'll have to check it out yourself when you go to Salem: you can't miss it as you exit the ferry.



